Publications and Presentations

Links to Publications

Argo: Actuality in Cinema

https://onlinelibrary.wiley.com/doi/10.1002/aps.1360

Stage and Screen Freuds

https://onlinelibrary.wiley.com/doi/10.1002/aps.1497

First Brief Communication

https://onlinelibrary.wiley.com/doi/10.1002/aps.323

Second Brief Communication

https://onlinelibrary.wiley.com/doi/10.1002/aps.324

Lie Down on the Couch Virtually

http://hipporeads.com/lie-down-on-the-couch-virtually/

Publications

  • The long-term consequences of pervasive stimulant prescription. JStor Daily, January 7, 2017.
  • Stage and Screen Freuds. International Journal of Applied Psychoanalysis. December 1, 2016.
  • Empowering musicians. A psychoanalyst considers burnout in music teachers. American Music Teacher, 2016. Feb/March, 51-53.
  • Did you hear the one about the lawyer? JStor Daily, Aug. 26, 2015. daily.jstor.org/lawyer-jokes/
  • Lie Down on the Couch, Virtually. Hippo Reads, Nov. 11,2014. read.hipporeads.com.
  • Argo; Actuality in Cinema. International Journal of Applied Psychoanalytic Studies, 2013.10: 178-180.
  • First Brief Communication: The Resilience of Illusion. International Journal of Applied Psychoanalytic Studies, 2012. 9(1),78-83.
  • Second Brief Communication: The Resilience of Illusion. International Journal of Applied Psychoanalytic Studies, 2012. 9(4), 344-349.
  • ADAPTATIONS: Disquisitions on Psychoanalysis: 1997-2006. (A compilation of ten monologues in print and on CD.) Hans Sachs Archives/Word Association Press, Tarentum, Pennsylvania, 2007, 91 pages.
  • “Meeting Movies”. Review. International Journal of Psychoanalysis, 2008. 89(3), 676-679.
  • “The Art Product of Psychoanalysis”, The American Psychoanalyst, 2007, 41:3.
  • Freud and Me. Monograph. Hanns Sachs Archives, 2006.
  • Theater through the Psychoanalyst’s Lens. The American Psychoanalyst, 2005, 39:3.
  • Directing the Madness of Marat/Sade. The American Psychoanalyst, 2005, 39:3.
  • When Father Comes Home; Uncle Vanya, ARTicles, 2002, 1(1).

Presentations

  • “Overview.” The Lawrence E. Lifson, MD, Psychotherapy Conference: Psychodynamic Psychotherapy 2019.” Boston, MA, 2019.
  • “The Little Red Wagon: Empathizing with Oedipus.” Richard Geist. Discussant. The Lawrence E. Lifson, MD, Psychotherapy Conference: Psychodynamic Psychotherapy 2019. Boston, MA, 2019.
  • “The lure and taboo of forbidden worlds and virtual realities.” Seventh Triennial Symposium on Psychoanalysis and the Arts: Senses and Soul. Instituto deli Innocenti. Florence, Italy, 2017.
  • “The role of music on stage and the music of the session.” National Meeting of the American Psychoanalytic Association, 2017.
  • “Post-Hamlet conversation: Psychic fault lines.” Actors™ Shakespeare Project. Boston, MA, 2016.
  • “Trauma, memory, and repression in Marnie.” National Meeting of the American Psychoanalytic Association, New York, 2016.
  • “The construction of character in the analytic situation and on the dramatic stage.” National Meeting of the American Psychoanalytic Association, New York, 2016.
  • “The Witches of Macbeth”, Post-performance discussion by playwright, International Psychoanalytic Assoc. 49th Congress, Boston, 2015.
  • “Playing and Cyber-Reality: Emotional Development and Transitional Space Online”, Panelist, 35th Annual Spring Meeting of the Division of Psychoanalysis (39), American Psychological Association, San Francisco, 2015.
  • “Art Dealers as Muse for Louise Nevelson”, Discussant, 6th International Symposium on Psychoanalysis and Art, Florence, Italy, 2014.
  • “On-line and On the Couch Virtuality; the Real, the Imagined, and the Perverse”, National Meeting of the American Psychoanalytic Association, 2014.
  • “Celebrity Objects”, Discussant, National Meeting of the American Psychoanalytic Association, 2013.
  • “The Illusion of Getting Real and the Reality of Illusion: Constructing and Deconstructing Neurotic, Artistic, and Therapeutic Illusions”, The Denver Psychoanalytic Society at the University of Colorado Denver School of Medicine, 2012.
  • “Freuds Last Session; The creative process of the playwright, Mark St. Germaine”, Discussant, National Meeting of the American Psychoanalytic Association, New York, NY 2012.
  • “Humor and Crisis”, The Boston Psychoanalytic Institute, 2011.
  • “The Illusion of Getting Real and the Reality of Illusion: Constructing and Deconstructing Neurotic, Artistic, and Therapeutic Illusions”, The Psychoanalytic Education Forum of Boston, 2010.
  • “The Music of Fear, Love, and Transformation”, Discussant, Psychoanalytic Institute of New England, 2010.
  • “The Resilience of Illusion in Psychoanalysis and Theater”, The San Francisco Center for Psychoanalysis, 2009.
  • “Ritual, Drama, and Psychoanalysis“, The Western New England Psychoanalytic Society, 2009.
  • “Theater, Psychoanalysis, and the Virtual Stage”, The Princeton Club of New York, 2009.
  • “Psychoanalysis and Theater, Shared Origins, Shared Dilemmas”, National Meeting 2009, Theater Communications Group.
  • “The Real and the Imagined in Psychoanalysis and Theater”, Winter 2009 Meeting of the American Psychoanalytic Association.
  • “Two Day Clinical Workshop: Psychotherapy Technique and Process”, Spring 2008 Meeting of the American Psychoanalytic Association.
  • “Trauma, Memory, and Repression in Marnie”, Science and Cinema, Coolidge Theater, 2008.
  • “Reality, Drama, and Ritual”. Academic Lecture Series, Boston Psychoanalytic Institute, 2008.
  • “Hamlet and the Psychoanalytic Experience”, Discussant, Scientific Program, Boston Psychoanalytic Society and Institute, 2007.
  • “Reality, Fantasy, and the Dream of Interpretations”, Members Seminar, Boston Psychoanalytic Institute, 2006.
  • “Freud and Me”, Boston Psychoanalytic Institute, 2006.
  • “Mourning in Theater and Film”, Winter 2006 Meeting of the American Psychoanalytic Association.
  • “Reality and Illusion”, The Humanities Center at Harvard University, 2006.
  • “Desire Under the Elms”, American Repertory Theater, 2005.
  • “The Over-Luxuriant Fantasy”, Boston Psychoanalytic Society, 2005; San Francisco Psychoanalytic Institute, 2004.
  • “Psychoanalysis and Humor”, Discussant, Massachusetts Institute of Psychoanalysis, 2003.
  • “Pericles”, American Repertory Theater, 2003.
  • “The Self-Preservative Instinct,” Discussant, Psychoanalytic Institute of New England, 2002.
  • “Integration of Seven Psychoanalytic Approaches to a Clinical Case,” Boston Psychoanalytic Institute, 2002.
  • “Marat/Sade”, American Repertory Theater, 2002.
  • “Va Savoir”, Psychoanalysis and Film Series, Coolidge Theater, 2001.
  • “Enrico IV”, American Repertory Theater, 2001.
  • “Ivanof”, American Repertory Theatre, 2000.
  • “Freud™s Rat”, Graduation Ceremony Speech, Boston Psychoanalytic Institute, 2000.
  • “Psychoanalysis. As You Like It”, Graduation Ceremony Speech, Boston Psychoanalytic Institute, 1999.
  • “Countertransference Boredom”, Boston Psychoanalytic Institute, 1998.
  • “Adaptation”, Graduation Ceremony Speech, Boston Psychoanalytic Institute, 1998.
  • “John Waters”, Psychoanalysis and Film Series, Coolidge Theater, 1998.
  • “The Use of Simulation in Clinical Education”. Panel Presentation. Annual Meeting of Association of Directors of Medical Student Education in Psychiatry (ADMSEP), 1997.
  • “Ethical Considerations of Industry Sponsored Education Initiatives”. Panel Presentation. Annual Meeting of ADMSEP, 1996.
  • “The Psychopharmacology of Depression”. American Academy of Family Physicians Boston, 1994.
  • “The Aftermath of Suicide”: Clinical Grand Rounds, McLean Hospital, 1988. Academic Grand Rounds, Boston University Medical Center, Department of Psychiatry, 1990. Academic Grand Rounds, State University of New York at Buffalo, Department of Psychiatry, 1991
Back
Scroll Up